What’s that? You’ve not read a Jojo Moyes novel yet? We’ve got the cure for that! You are officially invited to read this month’s book club selection, THE GIRL YOU LEFT BEHIND, with us this month.
I’m not one of those authors who can write the same sort of book every time, although I have a huge respect for those who can (Jack Reacher novels are my current burly comfort read). For a long time this lack of consistency worked against me; it made my novels difficult to market in the UK, where a lot of book retailing is done through supermarkets, and buyers, apparently, require a product as uniform as a tin of beans.
But eleven books in, I can only ever write the book that is humming away like an engine at the front of my head, and that might be a 1946 love story set around war brides on an aircraft carrier, or a mystery set in a community of modern-day whale watchers in South Australia.
After the global success of Me Before You, I worried for a while that readers would want the same thing again. Worried because the story that was resolutely taking shape in my head was as far removed from that book as it could get, an epic love story, spanning a century, that revolved around art stolen in wartime, and the effect that it had on two couples many decades apart. Different characters, different themes, different tone.
But as The Girl You Left Behind launched, and the first reviews came in, I began to relax, and I realized that there was more of a consistency than I had realized. My books may be set decades, and continents apart, they may be issue-based and small scale, or sprawling and intricately plotted, but what they all contain (hopefully!) is a big, emotional read, a plot that will draw the reader in and haul them along through a new landscape.
What they all contain — and this is, I hope, what keeps the readers with me – is love.